Toutes peintures ā l'huile d'Antonio Pollaiuolo


Choice ID Image  Painting (From A to Z)       Details 
52346 Altarpiece of the SS. Vincent, James and Eustace  Altarpiece of the SS. Vincent, James and Eustace   1468 Tempera on wood, 172 x 179 cm
63090 Angel  Angel   1467 Fresco Chapel of the Cardinal of Portugal, San Miniato al Monte, Florence *** Keywords: ************* Artist: POLLAIUOLO, Antonio del Painting Title: Angel (detail) , 1451-1500 Painting Style: Italian , , religious
1588 Apollo and Daphne  Apollo and Daphne   c1470 National Gallery, London
31370 Apollo and Daphne  Apollo and Daphne   nn07 c1470 National Gallery, London
42880 Apollo and Daphne  Apollo and Daphne   mk170 1475-1480 Oil on wood 29.5x20cm
52338 Battle of Ten Nudes  Battle of Ten Nudes   1470s Engraving, 428 x 618 mm
1589 Hercules and Antaeus  Hercules and Antaeus   1460 Galleria degli Uffizi, Florence
44428 Hercules and Antaeus Time  Hercules and Antaeus Time   c. 1478 Tempera on wood, 16 x 9 cm
1587 Hercules and the Hydra  Hercules and the Hydra  
44429 Martyrdom of St Sebastian  Martyrdom of St Sebastian   1473-75 Panel, 292 x 2023 cm
63101 Portrait of a Girl - Panel Museo Poldi Pezzoli  Portrait of a Girl - Panel Museo Poldi Pezzoli   Milan There are experts who think it to be the work of Domenico Veneziano. Independently of this uncertainty, this is one of the most beautiful profile portraits of the period. Artist: POLLAIUOLO, Antonio del Painting Title: Portrait of a Girl , 1451-1500 Painting Style: Italian , , portrait
1585 Portrait of a Young Woman 02  Portrait of a Young Woman 02   1475 Galleria degli Uffizi, Florence
1590 Tobias and the Angel  Tobias and the Angel   1460 Galleria Sabuda, Turin

Antonio Pollaiuolo
1431-1498 Italian Antonio Pollaiuolo Galleries Sculptor, painter, designer and engraver. He was trained as a goldsmith and bronze sculptor, probably in Lorenzo Ghiberti workshop. In 1466 he joined the Arte della Seta, the silkworkers guild (to which goldsmiths traditionally belonged), and he listed himself as a goldsmith and painter in the membership records of the Compagnia di S Luca in 1473; this is the only documented reference to him as a painter. In his tax return in 1480 he reported that he was renting a workshop specifically for goldsmiths work. He still described himself as a goldsmith, and not as a painter, in his last tax return in 1496.



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